These are some cues I wrote for composer Fred Emory Smith. In film music, the primary composer will often employ other composers to compose “additional music” for the film to help distribute the workload and quick turnaround times. This film had over 50 music cues.
Mockups were the sequenced tracks I composed in my studio using sampled sounds (mostly from Cinesamples). Once approved by the director, cues are orchestrated, prepared, and ultimately recorded by the FILMharmonic Orchestra in Prague.